This series traces how identity is recorded, inherited, altered, or quietly erased. Working with documents, family archives, and materials carried across generations, Wantanee transforms personal and historical records into new forms that question what remains and what disappears.

The works Racharudee, 3448, and Echoes of the Wind share a concern with how memory is held in matter. A clan book pulped into new paper, clay mixed with ancestral stone dust, and porcelain sheets modelled on passports and permits all become sites where identity meets migration, care, and loss.

Together, the series reflects on the resilience and fragility of archives. Forms shift, materials change, and official records become vulnerable objects. What persists is not the document itself, but the relationships and histories that remain embedded within it.